Use the supplied reference image as the foundation of the output. Whatever it depicts (a person, product, or scene) must remain recognizable in the result — preserve faces, identifying features, and key details so a viewer would say "that's the same subject". Composition, framing, and surroundings can change to match the instruction below. Cinematic digital photography. Shot on Sony Venice 2 (full frame, 8.6K sensor, wide dynamic range, natural color) with Lensbaby spherical lens (selective focus sweet spot, dreamy swirling blur) at 135 mm (telephoto compression, very shallow depth of field). A high-fashion editorial shot in a surreal desert landscape where the sand is white and the sky is a deep, dark indigo. The model wears an avant-garde garment that appears to be grown from bioluminescent fungi and dried desert vines, featuring intricate organic textures and glowing veins of 'Acid Green'. The silhouette is exaggerated and asymmetrical, blending into the surrounding rock formations. The lighting is otherworldly, with the model illuminated by a soft internal glow from the dress and a faint lunar backlight. The composition is a low-angle shot to make the model appear monumental and god-like. The camera uses a wide-angle lens to capture the vast, empty horizon. The color palette is strictly limited to white, indigo, and bioluminescent green, creating a haunting and futuristic aesthetic that challenges the boundaries of clothing. Brand styling guide: Brand: Allbirds: Comfortable, Sustainable Shoes & Apparel Business: Allbirds: The world’s most comfortable shoes, flats, and clothing made with natural materials like merino wool and eucalyptus. FREE shipping & returns. Audience: eco-conscious consumers Voice: modern, medium Products: mens, cruiser Brand colors: #E0DACF, #136F99, #1990C6, #ECE9E2, #212121 Heading font: Geograph Body font: Akkurat Mono

by Wanderson Jackson

Use the supplied reference image as the foundation of the output. Whatever it depicts (a person, product, or scene) must remain recognizable in the result — preserve faces, identifying features, and key details so a viewer would say "that's the same subject". Composition, framing, and surroundings can change to match the instruction below. Editorial product photo of the The Showrunners Reparative Essentials Travel Set, clean studio lighting, brand colors in the background, sharp focus, campaign quality. Brand styling guide: Brand: Fenty Beauty by Rihanna | Beauty for All Business: Fenty Beauty by Rihanna was created with promise of inclusion for all women. With an unmatched offering of shades and colors for ALL skin tones, you'll never look elsewhere for your beauty staples. Browse our foundation line, lip colors, and so much more. Audience: young adults interested in beauty and cosmetics Voice: modern, high Brand colors: #1990C6, #136F99, #FFFFFF, #000000 Heading font: Brown Body font: Brown

by Wanderson Jackson

Keep this exact LUME bottle — identical proportions, identical frosted alabaster glass, identical brushed champagne cap, identical arc glyph and "LUME / EAU DE PARFUM / 50 ML e 1.7 FL OZ" typography, all still crisply legible at this scale. Place it into a real street photograph: a woman in a crisp oversized white cotton shirt holds the bottle up near her collarbone, fingers wrapped naturally around the glass with realistic skin contact and slight pressure. She is walking on a sunlit city sidewalk, out-of-focus brownstone façades and a blurred passer-by behind her. Late afternoon sun, warm skin tones, a soft flare at the frame edge. Candid documentary fashion photography, 85mm, shallow depth of field, natural colour grading, fine grain. Her face is partly out of frame at the top — the bottle and hand are the subject.

by Wanderson Jackson

The first image is the base artwork. The second image is the LUME fragrance bottle. Edit the painting so the woman is now holding the LUME bottle upright in her raised left hand, fingers closing naturally around it. Change nothing else: her face, hair, expression, smock, the poppy-and-scrollwork background, the palette and the composition must all stay exactly as they are. Critically, the bottle must be repainted in the painting's own language — the same flat jewel-toned oil handling, the same heavy dark contour, the same visible brushwork and canvas weave and aged varnish — while keeping its exact identity: the squat rounded-rectangle frosted flacon, the brushed champagne cap, the engraved semicircular arc, and the wordmark "LUME" with "EAU DE PARFUM" beneath it, still readable. It must look painted into the original picture a century ago, not photographed and pasted on. Match the painting's light direction and add the correct soft shadow where her fingers wrap the glass. Render this exact on-image copy verbatim, with no spelling, wording, punctuation, or capitalization changes: - LUME - EAU DE PARFUM

by Wanderson Jackson

Use this exact LUME bottle as the product, keeping its glass, champagne cap, arc glyph and typography identical. Overhead flat-lay on a warm cream paper sweep: the LUME bottle lying beside its rigid packaging box — a matte alabaster carton with the same engraved arc glyph and "LUME" wordmark debossed on the lid — plus a strip of unbleached ribbon, a folded sheet of glassine and a small card. Everything arranged on a loose grid with generous negative space between objects. Soft diffused overhead light, delicate contact shadows, subtle paper and board texture. Photorealistic packaging photography, calm and expensive. Only "LUME" appears as text on the box. Render this exact on-image copy verbatim, with no spelling, wording, punctuation, or capitalization changes: - LUME

by Wanderson Jackson

Keep this exact LUME bottle — identical proportions, identical frosted alabaster glass, identical brushed champagne cap, identical arc glyph and "LUME / EAU DE PARFUM / 50 ML e 1.7 FL OZ" typography, all still crisply legible. Place it into a real photograph: standing on a slab of wet grey travertine just after rain, beads of water scattered across the stone and clinging to the bottle's frosted shoulder. Dappled shadow from an out-of-frame fig tree falls across the scene in sharp leaf shapes. Cool overcast-to-sun transitional light, a shallow puddle reflecting the bottle beneath it. Photorealistic, macro-leaning 50mm, f/2.8, natural desaturated colour, real water physics, fine grain. Photographed, not rendered.

by Wanderson Jackson

Keep this exact LUME bottle — identical proportions, identical frosted alabaster glass, identical brushed champagne cap, identical arc glyph and "LUME / EAU DE PARFUM / 50 ML e 1.7 FL OZ" typography, all still crisply legible. Place it into a real photograph: standing on a rumpled oatmeal linen tablecloth in a sun-drenched room, a halved fresh fig and a few loose green olive leaves resting beside it. Hard late-morning sunlight rakes in from a window at the right, throwing a long crisp shadow to the left and a bright caustic glint through the bottle's clear glass base. Warm dust in the air, shallow depth of field, natural imperfect surfaces. Shot on 50mm at f/2, candid editorial realism, natural colour, slight film grain. Not a studio shot — it should look photographed, not rendered.

by Wanderson Jackson

A cute, original 3D animated family-film-style quokka wearing a colorful adventure backpack, full body, cheerful curious expression, rounded extra-cute proportions, soft warm studio lighting, highly polished cinematic render, simple charming outdoor park background, no text, no logos, no copyrighted characters

by Wanderson Jackson

Image 1 = Boy A. Image 2 = Boy D. Image 3 = Girl B. Image 4 = Boy C. Reproduce each child EXACTLY as in their own reference — same face, same DEEP WARM DARK BROWN skin tone, same dark brown eyes, same hair, same complete outfit. Nobody's skin is lighter than anyone else's. RENDER STYLE: high-quality 3D ANIMATED FEATURE FILM — soft subsurface-scattering skin, detailed volumetric fabric with visible weave and soft folds, rounded three-dimensional forms, cinematic lighting. NOT 2D comic art, no inked outlines, no cel shading. POSTER, portrait. A dynamic airborne hero group, all four leaping and floating together, seen from a slightly LOW ANGLE. - BOY A (Image 1) — cream open shirt over royal blue tee, charcoal ripped-knee jeans, navy canvas high-tops, freckles, notch in his right eyebrow. He is at FRONT CENTRE, CLOSEST TO CAMERA, lunging toward the viewer mid-leap. His RIGHT ARM reaches forward out of frame toward the camera, hand OPEN with the palm facing us, dramatically foreshortened and LARGER THAN HIS HEAD. His LEFT ARM sweeps back behind him. Right knee bent up behind, left leg extended down, torso twisted, chin up, wide confident grin. - BOY C (Image 4) — forest green hoodie with the hood UP, glasses, olive messenger bag. UPPER LEFT, behind and above. Arms crossed over his chest, one knee bent, floating at a slight tilt, looking calmly at the viewer. - GIRL B (Image 3) — long beaded box braids, turquoise capulana dress, denim jacket. UPPER RIGHT, behind and above. One arm RAISED HIGH holding her phone, the other relaxed, braids streaming out behind her, head turned looking up and outward. - BOY D (Image 2) — backwards red cap, white-panelled orange tee with the blue T monogram, navy shorts, navy flip-flops. MID-LEFT, in front of Boy C but behind Boy A. One arm RAISED holding his phone up, the other hand making a PEACE SIGN — index and middle fingers extended in a clear V, ring and little fingers folded down, thumb over them. Legs bent and tucked, laughing with his mouth open. ALL HANDS ANATOMICALLY CORRECT: exactly five digits each, four fingers and one thumb, clean visible gaps, natural relative lengths, natural knuckles. Every arm clearly connects shoulder to elbow to wrist. BACKGROUND: a warm golden Maputo cityscape low in the frame, soft and slightly out of focus — low sunlit buildings and rooftops. Above and around the children, sweeping ribbons of glowing CYAN AND PALE BLUE LIGHT curling in long arcs, softly glowing translucent cyan SHIELD and PADLOCK icons floating at varied sizes and depths, and faint drifting streams of digital light. A bright cyan-to-gold sky. LEAVE THE TOP FIFTH as clean open sky — no heads, no hands, no detail — for a title logo. NO text, NO title, NO lettering, NO logos. No watermark.

by news kabum

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